The photographs from Animal Logic explore the installation and preservation of animals and fossils at natural history museums. These images examine the historical and scientific indexing of species throughout the ages, simultaneously drawing attention to the way in which they are viewed and understood.
“A curator, writing about my work, described the archaeological process as akin to the autopsy, in that it is simultaneously revealing and destructive of its object of study. I like the idea in my work of coming from a place that is both ambiguous and contradictory at the same time.” – Richard Barnes
"Referencing science, history, archaeology, and anthropology, Barnes’ work offers a reminder that there is nothing inherently “natural” about going to a museum to see animals. In his photos, a plastic-wrapped giraffe is suspended in midair against the trompe l’oeil backdrop of a savannah, a pack of stuffed wolves lunges at a museum preparer inspecting blades of grass, and other creatures (leopards, emus, and bears) hang out in packing crates." - Kelsey Keith